Displays & Labels’
should ‘speak’ to the visitors
Some of the interviewees mentioned the poor display settings.
Uninteresting labels (figs. 5, 8, 9), badly-lit galleries with
poorly displayed collections (figs. 6, 9), and a lack of guidance
from staff have a lasting impact on their memories.
‘Object-interpretation’ is a process of making an object recognizable
and understandable to the viewer by establishing the links between
former and later. Poor
lighting, location, length and language of text are the factors
that can make the visitor not to read the museum texts. Label
text is considered the ‘language’ that a museum speaks to the visitors.
If this language is not understandable to the ‘visitor’, they naturally
have the negative feelings about the ‘host’. This was the case
with the people who suffered with the missing or poorly drafted
texts of the labels in the museum (fig. 8). Some of them mentioned
that they have lost the interest in all the museums after the last
visit since they felt like a stranger to the language used in the
labels. Duncan Cameron
in his article (but also Trevelyan and Nottingham City Museums
found from their surveys)
claims that poor information or a complete lack of it in exhibitions
may lead to the visitor’s denial or misunderstanding.
This missing connection with the labels’ text leads them to feel
disconnected with the objects too.
“Actually, I did not like the way the exhibitions are designed;
the label texts are poor, the language is scientific and I cannot
understand it. Moreover, the position of the objects is not correct
and some, although interesting, can skip your eyes.”
(Christoforos, 28, doctor)
“When I am thinking of museums, I imagine an authoritarian
place with sculptures, cases, antiquities and labels that don’t
help you to understand what you see. This place is only for well
educated people or those who are interested about the exhibits.
I understand that it is a good place to visit because it holds
a big part of our culture but it is not the place where you go
in order to have fun...”
(George, 47, undergraduate)
Museums’
shift from ‘an authoritarian figure’ to ‘an open arm friend’
Museum staff, with lack of training on the changing role of the
museum, is not considered friendly or welcoming by the respondents.
Most of the interviewees mentioned the unwelcoming feeling they
experienced when they visited museum a long time ago. Some of them
also felt worse and mentioned the unwelcoming way information about
the collection and the museum building itself was provided. As
previous studies consider the psychological behaviour important
in the involvement of non-visitor (e.g. Nottingham research),
this feeling of interviewees pointed out the same issue when some
sensitive visitors found themselves unwelcome by the museum and
its staff.
“I would prefer the museum’s environment not to be so strict,
so I can visit it with my young grandchildren.”
(Sophia, 60, retired teacher)
“Museum staff should be more welcome”.
(Antonis, 39, undergraduate)
People
think about money (free entry, family tickets, free passes)
Some initiatives in order to revitalize the museum role in local
life are required. People will be more interested if there were
special entry fees on some special occasions. Museum should hold
these occasions from time to time to try and reach out to non-visitors.
Interviewees (like those interviewed for Nottingham research)
suggested it as basic attraction for them if they find entry free
or at a nominal cost. Some were interested in the idea of family
tickets, where they could bring the whole family and pay only a
fixed fee for all. In the changing theories about marketing it
has become vital to provide customers more facilities with least
possible cost.
Answers of the interviewees support this as all of them asked for
concession, either partially or fully, in the entry fee.
“I think that good advertisement for the museum could be
free entrance, because people think about it”.
(Joseph, 31, businessman)
“They should distribute free museum ticket to people like
me”.
(Telemachos, 75, retired farmer)
Opening
hours of museum v/s working hours of the non-visitors
Opening hours of the museums, as mentioned in previous studies
as well (Trevelyan),
are considered to be one of the main problems that hinder people
visiting museums.
Most of the time opening hours of the museum are same as working
hours of the majority of the businesses in the town. Interviewees,
in the context of local museums, found it difficult to spare their
working time and go to visit museum. This scenario clarifies to
a certain degree the absence of the local public in the museum.
Tourists and other visitors from outside could visit anytime of
the day but the local public is very likely to be at work during
the day time. Responses to this issue suggested that there should
be some special opening hour timings, at least for couple of days
a week, for the people who cannot visit museum during the regular
opening hours of the museum.
“I am working and when I have free time the museum is closed.”
(Maria, 47, trader)
“I have not visited it during last few years because of the
fact that it is open only in working hours and, since I am working,
I am not able to visit it.”
(Christoforos, 28, doctor)
“If it was open in the afternoon, at least few days of the
week, I could visit it, now I am not, since I am working.”
(Joanna, 53, Mathematician)
Other
concerns: Street signs and parking place
Although local museums are supposed to be a well-known place for
local public, the interview sessions brought up concerns about
the direction maps to the museum.
Some mentioned the need for signboards in the streets that lead
to the museum. their argument about this point was related to providing
information and sense of existence of the museum as some people
humorously said ‘is there any museum around?‘.
“There should be signs in the streets to orientate the people
and the drivers.”
(Katerina, 39, undergraduate)
A small number of people were concerned about parking.
They wanted to be able to park their cars without worrying about
it and concentrate in the museum. The issue was not raised by many
others, but I felt it important to discuss as a visitor’s divided
concentration makes him/her less involved in the museum and can
make the visiting experience tense.
“This museum could attract me if there was a parking outside or close to
the museum.”
(Joseph, 31, businessman)
“I don’t find place to park my car and usually I visit other modern museums.”
(Frangisca, 31, Nursery school teacher)
Impaired
people’s (well deserved) desire for audio and visual aid
As found in early studies, people with impaired abilities should
also be included in the experience of museum and they should get
all the possible help the museum is capable of providing. It is
difficult for the local museum to change the whole environment
in short amount of time but there are certain things museum could
provide with less significant efforts and cost. Audio aids for
people with hearing impairment or the elderly is one of these facilities.
Responses indirectly asked for aids for their disabilities. Elderly
people asked for help in mobility (fig. 3), toilet facility and
rest place and they complained about their less involvement with
the labels and with the information about the objects. An Audio/visual
aided facility could substitute some of these complains by providing
them with recorded information, directions and general instruction
which they might miss due to their poor eye sight or a hearing
impairment.
Replica
exhibits, explanatory panels, maps, and model ancient city
models
Other than the labels’ text, there are many other ways of providing
information to the audience.
Some objects can be placed with the models of their related sites
or ancient cities. Similar interpretation of the objects can be
achieved by putting maps and explanatory panels. For visually impaired
visitors, replica objects exhibition could be arranged so they
can experience the objects by touch. Responses of the interviewees
asked for models and explanatory panels in one or other way. Their
main requirement was better and interesting information for all.
As discussed indirectly, participant of interviews agreed that
they can recommend to other people with disabilities if they find
that the museum have such kind of facilities or exhibitions that
are specially designed for the people with certain hearing or visual
impairment.
“(there should be) maps and panels inside the museum with
plenty of information and for all the people, from children to
researchers.”
(Beatrice, 23, employee)
Guides
As the under-discussion museum has few members in staff, respondents
also complained about the lack of attention they received in the
museum. This point combines with the text of the labels and information
about the collections; when visitors cannot find someone to help
or guide them, they feel helpless.
“[…] no one can guide you there or provide you information
about the exhibits, so, there is no chance, for me, to visit
it.”
(Telemachos, 75, retired farmer)
Education
and fun for children
The requirement of guidance was asked for the children too, since
they are more curious and more enthusiastic to know about the objects.
Guide staff aiding children’s learning was considered necessary
in many responses. The interviewees showed great interest to questions
concerning educational activities for the children and adults.
“The museum should be repainted in a new colour combination,
more attractive than just a classic look. Also, it should adapt
new technologies and put some virtual tours on big display screens.
It also can have video games for the children!”
(Nikos, 17, student)
“It would be a good idea if there were guides inside the museum
so they can teach the children and adults about the history of
the museum and the objects.”
(Anna, 39, housewife)
“[…] Educational activities for children and adults for example how different
vases were made or painted etc.”
(Sophia, 60, retired teacher)
“Educational programmes for me and my children, and better information
about the exhibits and the antiquities of the island.”
(Katerina, 39, undergraduate)
“There should be educational programmes and activity packs for children
to play and learn.”
(Fragiska, 31, nursery school teacher)
Educational
documentaries for local student, visitors, families
Educational documentaries for the visitors, schools and families
can be considered a good attraction for the non-visitors. Most
of the visitors find themselves out of context because of a lack
of interaction from the museum text and museum staff. Documentaries
can provide better interaction and entertainment with the help
of new means of technology usage in museums. Non-visitors responses
also support this point by mentioning such kind of activities required
in the museum. The Museum’s goal as an educator is identified by
many respondents and they insist on having such activities frequently.
Family
events, Children’s activities, organized tours, and leisure
activities for elderly people
Museums, as discussed while exploring previous audience research,
are considered a place that provides education, entertainment and
cultural awareness to the visitors. The goal of education through
entertainment could be achieved by providing activities for the
visitors based on their age, educational and social backgrounds.
As interviewees discussed on this issue, there could be events
especially designed for families and children.
Family-focused activities were a high priority of interviewees
in other studies (Dodd and Sandell, Hood, Trevelyan, Nottingham
research). Organized
tours of school and other community groups can be arranged by the
museum in order to introduce them to the changes in the museum
and feel more connected with the museum environment.
“I would happily visit the museum if there were some days
dedicated to families. Special family trips and activities for
children would be a good idea.”
(Anna, 39, housewife)
“[...] leisure activities for families and elderly, understandable
label texts for all the visitors”
(Christoforos, 28, doctor)
For elderly people, and people with disabilities, there should
be more than just visiting the museum. Some elderly people suggested
providing ‘pick and drop’ service by the museum. Some leisure activities,
as mentioned by interviewees, can be generated in the museum with
minimum changes required. These activities include resting places,
and the opportunity to meet with other elderly people and share
their memories on certain cultural aspects or historical events.
Temporary/short
term exhibitions
The static look of the museum is a factor that limits repeat visits
by visitors (figs.
6, 9). In order to attract the visitors to the museum again, it
is necessary to keep changing the display settings inside the museum.
Another change that is also mentioned by interviewees is to rearrange
the existing exhibitions, new objects on display and new temporary
exhibitions. These exhibitions serve many goals for museum. These
exhibitions attract both non-visitors and visitors, and also promote
museum messages within certain contexts. These exhibitions also
develop people’s understanding about the museum’s new role as place
of education and entertainment.
“The fact is that there is no advertisement to catch my attention.
The museum’s exhibits are the same so many years and it is not
even renovated for so many years. I think they should borrow
different things from other museums to bring the change in exhibitions.”
(Hector, 61, retired sailor)
“I would visit it again if I know that there are new exhibits.”
(Nikos, 37, Librarian)
“It is the same many years”
(Loucia, 40, employee)
“New exhibits and new loans (collections borrowed from other
museums)”.
(Vassilis, 43, farmer)
“This museum could easily attract me if there were more contemporary
exhibitions about, but not limited to, local history.”
(Christoforos, 28, doctor)
“I would visit it again maybe in the future if there is a
new exhibition about my island”
(Antonis, 39, undergraduate)
“I would visit it again because of my job. But I would be
more eager if something was changed.”
(Panayiota, 25, Historian of Art)
“I would visit this museum again only with friends. There
is no reason to go alone. I know that nothing is changed.”
(Helen, 29, lawyer)
Different types of exhibitions are also considered attractive for
the local public. One of the popular ideas is to exhibit objects
from the museum collections and display them along with the counter
object from recent or modern tradition so the visitor can connect
their present with the recent past and their historical identity
through learning about the evolution of their very own living tradition.
Hood, based on her survey, suggests that museums should create
the link between objects collections and their visitors’ lives.
“A nice idea could be the opening of a Folklore Museum inside or next to
the Archaeological, so visitors can see the evolution and feel connection to
the antiquities.”
(Hector, 61, retired sailor)
“A main reason why not visiting it again is because, as far as I know,
the museum is the same all these years. There is nothing new and the information
provided is poor and not enough. Also, I don’t feel close to this museum; I
don’t feel that it belongs to me.”
(George, 47, undergraduate)
“First of all, I already know about it. Is there any reason to visit it
again? Secondly there is no advertisement of museum activities. Finally, there
is no connection between the museum environment with the life as it is now
and with the Tinos people.”
(Katerina, 39, undergraduate)
Advertising
the museum events and exhibitions
Museums, before marketing theories became popular in museum studies,
were considered places only visited by selected groups among the
community. Since, as this study has gone through, museum role has
been changed over the period of time and it has become unavoidable
to overlook the marketing of the museum at local and national level.
Advertising is the key of marketing a museum. If a museum is not
advertised, it does not exist in people’s mind.
“I don’t hear anything about this museum. It’s like it does
not exist!”
Local
radio/newspapers/ Television, Leaflets and posters (in cafes,
ships, villages)
There are different suggestions or
expectations about museum advertisement. Some people expect it
through traditional ways like pamphlets, posters or boards, while
other people find new means of advertisement like radio and TV
more approachable to the people. The interviewees of the Nottingham
research gave the same responses, by which we can understand that
the people’s thoughts and needs are similar all over the world.
“After I visited last time, I haven’t heard about it. I think
it should be advertised through local channels and newspapers.
It would be nice if there was a new exhibition about Tinos citizens.
A good advertisement could be posters in local cafe.”
(Panayiota, 25, Historian of Art)
“I rarely hear about it. It should be advertised in local
newspapers, magazines. And local authorities should advertise
it.”
(Fragiska, 31, nursery school teacher)
“I don’t hear about the Archaeological Museum. Good way of
advertising could be in the touristic guides, with posters in
ships, and maybe a Museum Friends Society to provide information
about the local museums to local people.”
(Hector, 61, retired sailor)
As new media have become part of life, especially with the youth,
some responses from the young people point out the need to advertise
via the internet or mobile messaging.
But this point was not supported by other responses from the local
people, as Tinos is not exposed to all advancements in the technology
about media and advertisement, especially to elderly people and
people living in the villages around.
“I use to hear about this museum only from friends who visit it with school.
I think they should put signs on the local buses or they could use SMS advertisements
these days.”
(Nikos, 17, student)
“There should be advertisement everywhere, especially in the villages.”
(Joanna, 53, mathematician)
The purpose of studies like this is
to listen to people (either visitors or non-visitors) and try to
find the reasons of their non-involvement in the museum and put
the efforts to remove these reasons. As we have found a number
of reasons behind the non-visitors attitude of not visiting local
museum in Tinos, are very appropriate to highlight those conditions
that are first to be addressed in order to involve these non-visitors.
In the previous studies, as I mentioned in the literature review,
I found some similarities with my case study where these studies
discuss about the changes required inside or outside the museum.
For example Trevelyan’s report discusses about the opening hours,
mobility inside the museum, label’s text language and about the
staff’s attitude towards the visitors. On the
other hand, I found some of the studies discuss and analyze audience
development issue at advance level, and I found them less relevant
to my selected audiences’ response. The reason behind this is the
situation of the museums in Greece, which are missing some basic
facilities. Prince’s study, for example, found cafe, shop or other
facilities less attractive to new audience,
but in my case, these missing facilities can bring vital change
in the non-visitors behaviour. Hence, following recommendations
would limit the audience response of my case study and provide
a direction to develop local audience for the local museums in
Greece in particular and local museums with the similar conditions
in other countries, like Egypt.
Accessibility
and mobility inside the museum
Accessibility to the museum and mobility
inside the museum have been recognized as a critical reason that
hinders the people to visit the museum and
this study also found it critical in the case of Tinos Archaeological
Museum (figs. 1, 2, 3). Accessibility should be enhanced as part
of first changes required in this museum and everybody should be
able to access the museum with ease. Families with children and
people with disabilities should find it convenient to reach the
museum, so they will not be excluded.
Ramps should be built along with outside stairs as well as stairs
inside the exhibition halls.
In this way, all visitors can easily access the museum and its
collections, which actually is the main purpose of the museum.
The museum does not provide even the basic facilities such
as toilets, a shop, a cafe etc. Museums should provide these basic
facilities to the public since this is the least that can be expected
by the visitors. First of all, toilets should be provided in the
museum and special toilets should be built for disabled visitors.
The visitors can stay longer in the museum and enjoy their visit
if they access this basic facility. Mothers and families can also
bring their children. Secondly, a small cafe for the visitors to
rest and enjoy some refreshments is essential.
This can bring non-visitors to the museum since they can stay longer
and have something to eat or drink besides the collections. Moreover,
a shop for the basic needs of the visitors could be placed inside
the museum or with the reception desk.
In this shop, people can find guides and maps about the museum,
its collections and the history of the island, cards of their favourite
exhibits, souvenirs and replicas of the most popular exhibits.
As previous studies recommend,
there should be places to sit since elderly people and families
find it difficult to visit a whole museum in one go. Furthermore,
as it was drown from the interviews, a kid’s area with toys for
young children and educational activities for older ones is necessary.
Visitors and especially mothers and families could visit this museum
if this could be done at least few days a week. In this way children
can visit the museum and, with the educational activities concerning
its collections and the island’s history, can learn many things
from their visit, and mothers will have the opportunity to enjoy
the museum visit without worrying about their children. A volunteer
trained staff member (a nursery teacher from local school) could
easily help the museum by providing guidance to the children and
help them with the activities. Finally, the museum could provide
a space for social events or community meetings. The local people
could come in their leisure time and interact with each other.
By this, the museum will help local people engaging among themselves,
with museum and with their own heritage.
Interviewees complained about the poor text and the scientific
language the label texts use and they confess that they feel no
connection with the objects because they do not have the opportunity
to understand them.
They think that the museum is only for well educated people or
those who are really interested in these objects. The museum must
rewrite the label texts with all the changes required in the light
of new label writing practices.
It should also be noticed that due to some physical conditions
of the labels and exhibition hall, labels could not be read by
them properly. Labels
should be written in simple language, clear structure and their
location should be at a convenient height that offers visitors
(especially children and disabled on the wheelchair) best possible
view of the labels. All
types of labels should be kept as brief as possible.
The more words in the text the less is the number of the readers.
Displaying the objects should also be reviewed in the museum, as
many interviewees complained. A new arrangement and better organisation
of the objects displayed should be at high priority of this museum
(figs. 6, 9).
Some visitors confessed that the attitude of the staff was the
source of not wanting to revisit the museum. People complained
that they did not feel welcomed.
As Cameron found, this bad feeling of first visit to museum could
affect humans’ psychological behaviour toward visiting a museum
for the rest of his life.
The museum’s staff must be trained, as analysed and suggested by
Sandell, to implement
changes required to make visitors feel welcomed. Trained staff
can provide information to the visitors, and help by guiding children
and disabled/elderly people.
Through this, the visitors will feel welcomed and satisfied from
their visit.
Audiovisual aid for the impaired people to provide guidance inside
the museum could help in the social inclusion of them.
It is necessary to provide these aiding facilities since the main
purpose of museum is to convey the message that cannot be done
without developing proper means of communication.
Explanatory panels, models of the archaeological sites and cities
of the island, and maps inside the museum could make the visitor’s
experience interesting and full of amusement.
This will make visitors feel engaged and connected with the heritage
and children will enjoy it more.
Touchable exhibits or replicas can make the children’s visit a
good learning experience as well as an activity they would love
to do again. These exhibits can also engage the visually impaired
people with the museum.
Many people consider free entry to the museum as an attraction.
They are not willing to pay if they think that facilities and the
information inside are not worth paying such amount to visit.
Free entry (twice a week) could be recommended in order to introduce
new changes in the museum.
Also, free passes to the disabled and the elderly could be an advantage.
Special family membership and other group membership cards could
be provided in order to increase of the number of visitors.
The opening hours of this museum are also a con in the people’s
decision to visit it.
The museum should remain open some afternoons in the week in order
to give the working community a chance to visit. There could be
shifts of opening hours in the mornings and evenings.
Signboards on the streets and along the roads, heading to the museum,
could also make visitors reach museum with ease. Also, parking
outside or close to the museum could increase the visitors.
Changes in museum exhibitions and events
Except for the changes in the museum’s
environment, changes should be done also in the museum’s context
(i.e. exhibition and events). The researchers recommend additional
staff; the staff who can implement the changes with new requirements
of the museum role. In my case study, the museum staff is limited
to conservators and guards, who are not enough to implement all
these changes. More staff is necessary especially a curator who
will create new exhibitions and events. Moreover, collaboration
with an educational officer (either volunteer or teacher from the
local school) is essential to design educational programs and activities
for the young visitors and schools.
Finally, volunteer staff can provide assistance to guide children,
families, elderly/disabled people and all the visitors in general.
Family events are necessary to include families in the museum audience.
Families have special needs for mothers and their children. Museum
should create activities for family and children in
order to engage them in the museum. The museum should arrange local
trips from villages to the museum in collaboration with local transport
authorities. Further, leisure activities for
elderly and general visitors should be introduced. In short, the
museum should seek the ways to its engagement with local communities.
All the interviewees who have visited the museum answered that
they would not visit it again because they feel that there is no
change in the museum. The fact is that the museum has not undergone
any change since its foundation in 1960. This impression of ‘no
change’ should be changed. The museum should display objects that
are not displayed but they are just kept in store. Temporary exhibitions
should be planned with the collections loaned from other museums.
The exhibition of folk-lore/traditional objects along with the
old similar objects from museum collections would be an interesting
learning experience for the visitors. They will learn about the
evolution of their traditional objects from the past to the present.
Advertising the museum
Advertising the museum is the most
important thing in the museum’s marketing plan and in the visitors’
decision of visiting an attraction. The museum should advertise
its events, collections and exhibitions and it should provide information
to the public about its facilities. There should be a continuous
campaign about the offers, discounts and all other activities.
Advertising through the local newspapers, magazines, television
and radio could bring new visitors to the museum.
Some other means of advertisement that are specific to the local
environment of Tinos include posters in local cafes, in the villages
or in the ships passing through the island.
Young communities can be reached by new means of advertisement
e.g. SMS, internet etc. In
order to address financial issues, the museum may find the ways
to collaborate with the local authorities for advertising in some
local newspapers.
Also, at this stage it would be an initiative if the museum’s staff
itself could contact the local public and by ‘word of mouth’ advertisement
could gain more visitors.
Collaboration with local authorities and companies
Tinos Archaeological Museum should collaborate with
the authorities of the island.
By this engagement, the museum could receive some funding (at least
for the basic facilities) in order to renovate and attract more
local visitors. The museum, also, should adapt new marketing theories
and contact with the local companies which could offer their promotional
free drinks and lunches to the museum’s visitors. These companies
can setup their promotional counters in the museum too.
The local museum in this case study requires a number of changes
to be able to attract the non-visitors. In this chapter, critical
and necessary changes are discussed and recommended in details. These
changes are recommended in the context of the situation of this local
museum in particular and other local museums in Greece in general.
There could be more enhancements in the museum that may attract more
people and more tourists as well, but this would be beyond the scope
of this study. I hope that these carefully evaluated and selected
changes would make this museum a model for other museums in Greece,
especially in the context of developing local audiences. Lastly,
it is necessary to repeat that these conditions could be found in
many other countries and these recommendations can be used as first
step to reform the museums’ identity in local public.
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